A Must-Have Guide for Investigating the Paranormal

Have inexplicable spheres and fogs ever ruined any of your photographs? If you discarded them, thinking dirt on the lens or camera glitches were to blame, you may want to retrieve them and reconsider. These spheres and fogs may be paranormal light forms. Light forms are mentioned in literature on angels, aliens, UFOs, ghosts, crop circles, near-death experiences, inter-dimensional beings, magick, and thought forms. Hypnotized subjects describe the lights as the forms we become between lives on Earth.

This entertaining book examines the many theories about what these energies may be and presents evidence throughout history that confirms their existence. Starting out as a novice photographer, the author captured the apparent spirit of her sister's dog. That began her great adventure into researching orbs, vortexes, and ectoplasms that are appearing in pictures worldwide. In this book, you will learn as she did how, when, and where to photograph and interact with these intelligent life forms.

How to Photograph the Paranormal has something for everyone--from the simply curious to ghost hunters and paranormal researchers. The book features dozens of original paranormal photographs--many in full color. Mysterious lights evidently have been with us all along but they are now making extra efforts to reveal themselves to humanity. This book is an eye-opening glimpse into their world.

Professor Hans Holzer carefully examines historic photographic evidence of ghosts and paranormal activity, explaining which images contain convincing proof and which may be trickery.

For more than a century, psychic researchers have amassed a body of photographic evidence of the afterlife. Indeed, according to professor Hans Holzer, photography gives us one of the greatest tools in documenting souls that continue to exist among us after death. Here Holzer looks at the evidence of ghosts revealing themselves to us on film, and shares examples of psychic photographs, many of which were taken during séances.

As an artistic medium, photography is uniquely subject to accidents, or disruptions, that can occur in the making of an artwork. Though rarely considered seriously, those accidents can offer fascinating insights about the nature of the medium and how it works. 

With Inadvertent Images, Peter Geimer explores all kinds of photographic irritation from throughout the history of the medium, as well as accidental images that occur through photo-like means, such as the image of Christ on the Shroud of Turin, brought into high resolution through photography. Geimer’s investigations complement the history of photographic images by cataloging a corresponding history of their symptoms, their precarious visibility, and the disruptions threatened by image noise. Interwoven with the familiar history of photography is a secret history of photographic artifacts, spots, and hazes that historians have typically dismissed as “spurious phenomena,” “parasites,” or “enemies of the photographer.” With such photographs, it is virtually impossible to tell where a “picture” has been disrupted—where the representation ends and the image noise begins. 

We must, Geimer argues, seek to keep both in sight: the technical making and the necessary unpredictability of what is made, the intentional and the accidental aspects, representation and its potential disruption.

Analyzes over a dozen well known paranormal phenomena in light of recent discoveries in the field of Ufology. Using the concept of the "anti-mass field" that is critical to UFO propulsion, long sought explanations for mental photography, psychokenesis, the Geller effects, bodily transfigurations, and miracle cures are derived. This book is sure to intrigue the serious student of the paranormal.